gravity track 2, sounddesign otis thomet for vanessa heer
stereo audio system with raspberry pi & random generator, ultrasonic sensor, speakers, recycled wood
for the installation we head out, footsteps passing by were collected and listened to how they manifest themselves in place or inscribe themselves in memory as echoes. In their multiplicity, they form a circuit of physical presence. the footsteps and their echo were used as a tool of participation and involvement in a continuous rhythmic flow. the polyrhythmic potential of the steps are highlighted and the invisible aspects of walking audible. we head out interrogates the potentialities of active listening in chorus, delving into the transpositions of sound, the meditative of rhythms, and the archival inscriptions of vibrating memory.
stereo audio system with raspberry pi & random generator, ultrasonic sensor, speakers, recycled wood
for the installation we head out, footsteps passing by were collected and listened to how they manifest themselves in place or inscribe themselves in memory as echoes. In their multiplicity, they form a circuit of physical presence. the footsteps and their echo were used as a tool of participation and involvement in a continuous rhythmic flow. the polyrhythmic potential of the steps are highlighted and the invisible aspects of walking audible. we head out interrogates the potentialities of active listening in chorus, delving into the transpositions of sound, the meditative of rhythms, and the archival inscriptions of vibrating memory.
Bellow are the five audio pieces, that triggered by visitors of the installation form an ongoing composition.
